THESIS ON FEMINISM IN PRIDE AND PREJUDICE Chapter # 5

Chapter-5

5.1 The Importance of Characterization

Cohen (1995) appreciated the style of representation of the characters as “Austen’s book are usually well-known due to their styles, which query the credibility of conferences in a community that decreases the position of females. In other terms, Austen satirizes the of her era by both adjusting the issues that females experience and by building appropriate figures who play a role a lot to the representation of females speech in her books. What creates most of Austen’s heroine’s signs of female’s identification is that they discuss nearly the same functions which are important in building a self-realizing females determine in the community” (131). In the counter view, Kaplan notices that “most of Austen’s heroines are separate ladies who have typical functions such as energy, wit, intellect and appeal” (185).

As Bibi (2013) argued that, “especially Benet and Emma respectively, are recognized as non-traditional women who have innovative opinions about the position and value of females in man-oriented cultures. Especially their strategy to the Relation between wedding and economic issues, which degrades women’s personality, is incredibly contemporary. It is apparent that they have an attention of elegant identification” (63). And furthermore, “Jane Austen’s characters; especially the heroines have a parallelism in all her Novels because all of them are the rewritings of traditional heroines” (126).

5.1.1 The Heroines:

Cohen (1995) argued that “an extensive research of the heroines of ‘Pride and Prejudice’ and Emma might be needed to recognize how Her Austen’s heroines act as the signs of females speech. For example, Elizabeth’s wit and her non-traditional and generous speaks indication the signs about the exposition of female’s identification” (134). For this, “Kaplan notices that assured in discussions and sure of her opinions, Age does not think twice to show either her confidence or her views” (186).

For example, Bibi (2013) again argued “after being in Mr. Darcy’s organization only a few periods, she brazenly informs what her viewpoint is about him while referring” as in novel: “I am sure we never study the same books, or not with the same feelings” (75). It is obvious that “Age has a popular character and she can display her ideas without looking after for outrageous clichés of the era. However, since propriety has an important position in Austen’s novels” (78), Age always provides “well-mannered manners in her emails with the others. Nevertheless, while dance with Mr. Darcy at the Nether area soccer, she buys him to speak: It is your convert to say something now” (79), for example

“Mr. Darcy.− I discussed the dancing and you ought to create some type of comment on the dimension the space, or the variety of partners. It is quite non-traditional for an 18th century lady to start conversation. However, Age declines the quiet and the additional place of females that is pressured on them by the community. Moreover, she has enough bravery to discuss her own concepts and desires in lifestyle compared with the traditional women of the era” (“Pride and Prejudice” 74).

5.1.2 The Heroes:

Again Cohen (1995) views in: “Austen creates two figures Fitzwilliam Darcy and Henry Knightly for her open-minded heroines, Age and Emma, respectively. Both Mr. Darcy and Mr. Knightly seem to have similar figures. They discuss the same feeling of issue while nearing the females they are in really like with” (in comparison 135). Although both men are rich and are part of a culturally great position, their first concerns before planning a wedding are not cash or category. “That is because both people are attracted to crazy females who can display their concepts independently. In other conditions, Mr. Darcy and Mr. Knightley are not the overview of narrow-minded patriarchy but they are developed as the arbitrators of the sex features in society” (78). What creates hem different kinds of figures is that “their strategy to romantic endeavors is compared with the typical figures of Austen’s competitors. Jane Evans notices that Austen’s figures do not act in performs, or study loudly in extremely impressive methods, or entertain themselves by enjoying at flirty activities” (136).

5.1.3 Minor Female Characters:

Marsh (1990) factors out that “the depiction of additional numbers in Austen’s books plays a role in the readers’ knowing of the more complicated major numbers” (31). In both “Pride and Prejudice” and Emma, “it is important to evaluate the minimal numbers to be able to understand Society’s strategy to womanliness. Austen utilizes these additional numbers meticulously to make an atmosphere in which all the aspects of women issues are exposed” (33).

In Bibi’s (2013) Views; “Pride and Prejudice, Elizabeth’s separate and asking mind is provided contrary to Jane’s relying on and purpose perform”. As it is, Liddell (1998) notices that “Pride and Prejudice is the tale of two mutually dedicated siblings. Both siblings have ‘sincerity’, and they both discuss the same ‘prejudice’. Yet, Benet is more tender-hearted than Age Benet. It is clear that Age is very much attached to her sis. With the help of their connection, Austen factors out the value of women solidarity. Jane’s genuine character are essential in the novel when Age needs to be encouraged” (133). For example, Age seems disappointed after her and Bingley’s discussion and Charlotte’s decision about getting married to Mr. Collins. However, she tries to encourage her upon “The more I see the world, the more, am I disappointed with it; and everyday confirms my knowing in the inconsistency of all individual numbers, and of the little reliance that can be placed on the overall look of either benefit or sensation”(91). As in following example;

“My beloved Lezzy, do not give way to such emotions as these. They will damage your pleasure. You do not allow enough for distinction of situation and self-control.” (“Pride and Prejudice” 107)

Bibi (2013) summarized this concept as; “Austen shows the need for the protection of women’s privileges in her books. Apart from adjusting appropriate styles in her works that expose the issues of womanliness, Austen gives significance to make appropriate numbers so as to achieve a point with regards to showing the women speech. Furthermore, Nicholas Marsh claims that many of Austen’s numbers are unforgettable because they have an attribute way of showing their ideas” (67-69).